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riding the bus, in a man's world

design and planning interventions striving to make public space more inclusive

 

"Women was regarded as a creature whose boundaries are unstable, whose power to control them is inadequate. Deformation attends her. She swells, she shrinks, she leaks, she perforates, she disintegrates. [...] Think of the monsters of Greek myth, who are mostly women with deranged boundaries, like Skylla, Medusa, the Sirens, the Harpies, the Amazons, the Sphinx. [...] In order to achieve form or consistency, the female must submit herself to the regulation and articulation of the male." - Anne Carson [1].

The poet Anne Carson offers a sardonic take on the "boundaries" of the female; in reality, women have indeed, historically occupied clearly bound spaces, staying behind the threshold of the domestic as the cosmopolitan sphere remained governed and inhabited by men. Despite progress in some metrics toward increased enfranchisement for women, urban space remains dichotomized, both in the popular imagination (through entrenched cultural tropes), and in our lived reality (through spaces we occupy and social norms we live by), into men's spaces and women's spaces (or more broadly, non-male spaces). Interior or domestic space continues to be predominantly female; as one example of how this plays out in society, women comprise 68% of interior design practitioners according to the IIDA [2], while women comprised 24.9% of architects in 2021, according to NCARB [3]. 

As cities, particularly in mid-century America, embraced the automobile, female-coded and male-coded spaces became even more geographically disparate, bridged by a commute that relied on the automobile and its fossil fuels. However, cities like Bogotá and Paris are taking steps to support more diverse land use within neighborhoods, emphasizing walkability and short travel distances between services. These cities' initiatives to integrate walkable social infrastructure for residents breaks down the historically rigid boundaries between the domestic and cosmopolitan spheres, driving progress at the intersection of feminism and environmentalism. 

Bogotá: Care Blocks

In Bogotá, many economically disadvantaged women are full-time caregivers and suffer economically and physically as a result [4]. Bogotá introduced an initiative called Care Blocks to mitigate the negative effects that caregiving responsibilities have on women. Bogotá's Care Blocks incorporate care-giving resources into existing infrastructure such as parks and schools, to support improved economic, educational, and health outcomes for women. Bogotá's former mayor, Claudia Lopez, discussed the Care Blocks at the Venice Architecture Biennale in 2023 [5], highlighting the importance of integrating services for caregivers into pre-existing civic infrastructure, pointing out that this infrastructure is often designed for children but does not consider the needs of the mother. When caregiving services are centralized, women have more free time to engage with the cosmopolitan public sphere by pursuing education and entrepreneurship. As the OECD Observatory of Public Sector Innovation (OPSI) notes, "the Care Blocks have put women at the center of Bogotá's urban transformation and future planning." [6].

Paris: Hidalgo deploys the 15-Minute City concept

Carlos Moreno, an urbanist at Paris' Sorbonne University, who is well-known for the 15-Minute City concept, describes the automobile's role in exacerbating the divisions between gendered spaces in his book, The 15-Minute City: A Solution to Saving Our Time and Our Planet. Moreno notes that in post-war America, expressways cut through cities like "long wounds, and the car became the center of our (masculine) desires, and the center of urban life." [7]. Moreno describes rigidly divided urban zones, (a strategy that Le Corbusier supported), as creating a "triple segregation" [8], in which cities are divided across multiple demographic markers, such as socioeconomic status, race, and gender. Moreno's proposal to heal the "wounds" created by car-centric design, by promoting walkable cities with diverse uses, has been deployed by Paris' mayor Anne Hidalgo. Paris, like Bogotá, has capitalized on existing infrastructure such as schoolyards and nurseries; Paris expanded the use of these facilities after hours to function as recreational community hubs, according to WRI [9]. Integrating this type of social infrastructure into neighborhoods blurs the division between domestic and cosmopolitan space, making the public space of the city more accessible and inviting to diverse user groups, and reducing the need for vehicular transportation.

Global progress: Melbourne, Milan, United States

Cities globally are pursuing similar urban strategies at the crux of inclusion and sustainability; Melbourne introduced a plan for 20-minute neighborhoods [10], and Milan's Piazze Aperte plan aims to pedestrianize areas within neighborhoods and create walkable social spaces [11]. Further, at the level of individual structures, it has become increasingly common in the US, particularly following the FAM Act (2017) [12, 13], to see pre-fabricated lactation pods in airports, (for example, by Mamava) [14]. In this instance, a prefabricated solution allows existing building stock to be upgraded to meet present-day societal expectations, while minimizing on-site construction waste and reducing disruption to operations during the retrofit. 

As cities create space for women- the "creature whose boundaries are unstable", to quote poet Anne Carson- public space becomes more inclusive, and transportation routes become more efficient and less carbon-intensive: a win-win for society and sustainability.

1- https://www.best-poems.net/anne-carson/women.html

2 - https://iida.org/articles/perspective-access-talk-talk-delineating-diversity

3 - https://www.ncarb.org/nbtn2022/demographics

4 - https://oecd-opsi.org/innovations/bogota-care-blocks/

5 - https://www.youtube.com/watch?v=yY7FQrQt4lE&list=PL2J3c5AtY5K9xkBAKWia6hutRvWC4Nsey&index=6

6 - https://oecd-opsi.org/

7 - Moreno, Carlos. The 15-Minute City: A Solution for Saving Our Time & Our Planet. John Wiley & Sons, Inc., 2024.

8 - https://www.moreno-web.net/the-guardian-why-has-the-15-minute-city-taken-off-in-paris-but-become-a-controversial-idea-in-the-uk-april-2024/

9 - https://www.wri.org/insights/paris-15-minute-city

10 - https://www.planning.vic.gov.au/guides-and-resources/strategies-and-initiatives/plan-melbourne

11 - Moreno, Carlos. The 15-Minute City: A Solution for Saving Our Time & Our Planet. John Wiley & Sons, Inc., 2024.

12 -  https://www.congress.gov/bill/115th-congress/senate-bill/1110/text

13 - https://www.usatoday.com/story/life/allthemoms/2018/10/12/nursing-rooms-breastfeeding-moms-now-required-major-airports/1613690002/

14 -  https://www.mamava.com/all-products/original-mamava-lactation-pod

th_Eroses is a contemporary art website dedicated to cultural discourse, photography, cinema, poetry, internet performance, and art critical theory.

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submissions

The Summer 2025 Arts + Human Rights Research Award will be open to submissions this summer (Friday, June 20, 2025, 10:42 p.m. EDT - Monday, Sept. 22nd, 2025, 2:19 p.m. EDT). The topic of the Summer 2025 A+HRRA is Truth, Media, and Human Rights

th_Eroses is awarding $100 for a work of artistic / literary research that addresses or concerns human rights in conjunction with this season's topic, Truth, Media, and Human Rights. 

The goal of this award is to amplify artistic voices that inquisitively and critically approach the pressing issues of our time, to create a habitat where a unique form of creative journalism can thrive, and to provide th_Eroses readers with artistic / literary insights into key issues.

Submissions may include, but are not limited to, works investigating the nature of truth, the concept of objective truth, the role of the subject and the subject’s context in their experience of or access to truth, media theory and/or the role of media in the creation, dissemination and dismantling of truth and/or truth narratives, the relationship between scientific and artistic or poetic truths, collective faith in expertise, the role of the expert, and the role of the artist and/or poet in relation to the social creation or dismantling of truth and/or truth narratives, etc. 

The term 'research' here is intended to indicate the process of creation, exploration, and discovery, rather than the compiling of archival facts and/or materials, although the compiling of archival facts and/or materials may be a part of the process of exploration and discovery, or a part of the process of shaping the path or direction of discovery. This is intended to be an open-ended premise, to support the range of work that may occur in artists' and writers' unique processes. 

From the UN: 

"What Are Human Rights? Human rights are rights inherent to all human beings, regardless of race, sex, nationality, ethnicity, language, religion, or any other status. Human rights include the right to life and liberty, freedom from slavery and torture, freedom of opinion and expression, the right to work and education, and many more. Everyone is entitled to these rights, without discrimination."

https://www.un.org/en/global-issues/human-rights

Successful submissions may, but are not required to, focus on investigative, process-based exploration and material discovery. Successful submissions may couple rigorous (or subjective) analysis with documentation of investigative, process-based exploration and discovery. Submissions do not need to be factual; forms of literary fiction, subjective expression, abstraction, choreography, and/or non-narrative presentations will be considered as well. Submissions in all languages and media are welcomed.

Please note: If your work is submitted and selected for the award, you consent to the publication of your submitted work by th_Eroses now and in the future. Not all submissions will win the award; there may be one submission chosen, or multiple submissions, or none of the submissions. Selected submissions will receive an email of acceptance and next steps. 

Please submit work to theroses.directors@gmail.com with "Entry: A+HRRA 2025" in the subject line.

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